Sitemap - 2022 - Smash Cut
'Babylon' review: Pure magic and bad taste
'Avatar: The Way of Water' review: Post-Pandora depression is real
‘Spoiler Alert’ review: Love, loss, and smurfs make a perfect rom-com
‘The Menu’ review: A delectable dark horror-comedy | TIFF review
‘Falling For Christmas’ review: Lindsay Lohan is back
‘Black Panther: Wakanda Forever’ helps us grieve together | review
‘Till’ breathes life into American history | movie review
‘Halloween Ends’ is not a Halloween movie (and that’s a good thing) | movie review
‘TÁR’ wants you to kill your heroes | review and analysis
The Witch is Back: HOCUS POCUS 2 review 🌘
‘Hocus Pocus 2’ is 90s nostalgia done right | movie review
In ‘All Quiet on the Western Front’ war has never looked worse and never looked better | TIFF review
‘Don’t Worry Darling’ works (just barely) | movie review
‘Empire of Light’ is more than a movie about movies | TIFF movie review
Jane Fonda and Lily Tomlin kill in ‘Moving On’ | TIFF movie review
‘The Woman King’ redefines the historical epic | TIFF review
‘Aristotle and Dante Discover the Secrets of the Universe’ is YA movie goals | TIFF review
Queer military drama ‘The Inspection’ asks and tells | TIFF review
‘Barbarian’ is for the camp horror girlies | review
‘Aftersun’ is a masterpiece of memory | review and analysis
‘Orphan: First Kill’ is the campy sequel we didn’t know we needed | movie review
‘Beast’ roars for your attention | movie review
‘Prey’ gives The Predator new life | movie review
Jordan Peele's 'Nope' is a chopped and screwed summer blockbuster | review and analysis
Jordan Peele’s ‘Nope’ is a chopped and screwed summer blockbuster | review and analysis
🍿 Best Movies of the Year (so far) Vol. 1
‘Thor: Love and Thunder’ leans into weirdness and queerness | movie review
‘Broker’ is a misfit family road trip | Cannes movie review
‘Three Thousand Years of Longing’ needed another wish | Cannes movie review
Cannes 2022: Boy from Heaven, The Eight Mountains, EO | movie reviews
‘Decision to Leave’ is a romantic mystery | Cannes review
‘Triangle of Sadness’ is the best comedy in years | Cannes review
‘Armageddon Time’ reckons with a pre-Reagan childhood | movie review
‘EO’ and the donkey that enchanted Cannes | movie review
'Doctor Strange in the Multiverse of Madness' brings horror to the MCU — review
Cold War gay romance ‘Firebird’ lacks spark | movie review
‘Crush’ is a typical high school rom-com — and that’s a good thing | movie review
‘The Northman’ goes south | movie review
Movies to Stream this Weekend 🍿
2022 Oscars: And the Oscar for worst ceremony goes to…
And the Oscar for worst Oscars ceremony goes to...
‘X’ is a Texas Boogie Nights Massacre | movie review
‘Sissy’ directors and star Aisha Dee chat their new horror | Interview
‘Bodies Bodies Bodies’ is a bloody game of Among Us | SXSW review
‘The Cow’ is empty calories | SXSW review
‘Jethica’ is a charming little ghost story | SXSW review
Andrea Riseborough gets her moment with ‘To Leslie’ | SXSW review
Patton Oswalt is Oscar-worthy in ‘I Love My Dad’ | SXSW review
A movie like ‘Everything Everywhere All At Once’ has never existed before | SXSW review
‘Sissy’ skewers millennial culture | SXSW review
Queer prison drama ‘Great Freedom’ finds hope | movie review
Hellbender is a coming-of-witch family affair | review
‘Kimi’ is a techno-thriller for the pandemic era | review and analysis
The Perfect Pandemic-Era Thriller Now Streaming
Every Performance Nominated at the Oscars this Year Ranked
‘After Yang’ and sci-fi as therapy | review and analysis
‘Cha Cha Real Smooth’ is Gen Z’s The Graduate | movie review
Sundance 2022 Round-Up: Speak No Evil, Watcher, Dual
‘Resurrection’ goes for the gut | movie review
‘Master’ is a modern-day Giallo horror | Sundance review
‘When You Finish Saving The World’ | Sundance review
‘The Worst Person in the World’ and the millennial crisis — review and analysis